Rudin House

introduction

France and Switzerland (Leymen) are one of the oldest works of Herzog & de Meuron, directed by Hanspeter Rudin.
At first look, we can state that the shape and outside look is a run of the mill house, as we envisioned in a youth house: two rooftops, window and entryway waters and a huge chimney.
The rooftop is only a rooftop from a divider, and both are basic dividers that frame a solitary plane with level entryways and windows.
As Moneo once commented respect to the work, 

seems forced and an inevitable reflection on the history, present here, leading to the architects to transform this painful memory, which would be tempted to describe as schizophrenia, causing a coupling with typological melancholy.

  This house gives an uncommon exchange amongst custom and advancement subverting both while profiting from their qualities. If we somehow happened to contend whether it is for a venture actualized in a genuine or a joke I think we would need to clarify it as a joke truly finished with extraordinary artfulness.

Concept

At home Rudin, Herzog and de Meuron on youth recollections bring out the picture of a house, protecting the most trademark components, for example, the extensive chimney, slanting rooftop, so a solitary volume. Partner with a natural effortlessness and cleanliness in their completes the process of, coming to past the exactitude of inventively imagined as a house, exorcized the possibility of an essential home to two water to decrease it to a degree zero of iconographic portrayal.
Since the separation does not vary as far as volume but rather its neighboring totally change their references. The house evades claim parameters of centrality sweetened deceptive of the new structures dishonestly conventional for them to take just a dream that mirrors its theoretical geometry and the vision that prompts to tyke in the house that we as a whole perceive.

Counterpoint

The house acts in a dialogue of contrasting situations it is often possible to see in key entertainment.

• It is a parallelepiped voluntarily heavy reinforced concrete seen on the other is high soil floating on a tray supported by thin pillars.

• It has large windows that open outward without any shame, on the other access is almost secret and precarious under the house.
• It has a large deck angle, however the eaves and gutters that correspond to this great cover disappear and rain water slides on the concrete until you reach the pond located in the tray to support a beside the house.

• The shape of the roof refers to the world of decks inclined while the material is finishing a vulgar cloth asphalt own a flat deck.
• On the one hand is close to the warm childhood dreams, on the other asceticism and the hardness of their materiality is opposed to any romanticism.

• The house is symmetrical lengthwise, but the ladder breaks on the inside with a slight shift and omits any verbose dimension to the tour.

• The house stands on a tray of thin concrete stroke linear and will ideal, but it contains a side terrace with some classical and vulgar pots superseding any railing that would give volume, and the other side opposed to a terrace sheet of rain water of minimum thickness, perhaps imitation or mockery of the extensive ponds and pools of large summer estates.

Spaces

Inside the house emerges as a focal component of move and inside outside and back the immense staircase that goes from floor to the roof, where the vertical pivot of the house and the component that sorts out.
This is along the longitudinal hub of the building, leaving the stays on either side of the trip and closures under the light of an extensive bay window that takes light regarding economy and the asymmetry created by the bungle of the hub of the edge with the hub of the step.
Remains of more noteworthy riches space is absolutely at this end of the visit: the principle stay with his storage room and the fantasy lavatory to a great degree vertical cross-area.
Structure
You would believe that as a can of cement, with solid dividers is an incomplete work overwhelming, yet this offers us to comprehend the significance of the work which thusly is differentiated by the bolster components that ascent up stilts and an approach to help its nearness in nature, other than being a stage for the house is not lost on a similar appearance and enlightening.
This stage additionally makes a shade that gathers rain water, this being a reflection of both the outside and wonderful inside the same 

Materials 

The rooftop and dividers of cement evidently gave the impression of being a solitary component, then give us the presence of congruity for the nonattendance of an eave.
It is characterized as a straightforward, solid development that permits an association with nature, as is seen as the water covers the dividers and not worn or harmed material from the dividers.
It highlights the utilization of current materials, for example, concrete and as the old adobe exhibiting the merger past-present-future as they do these engineers in their works
Resources:

http://www.themodernhouse.com/journal/house-of-the-day-rudin-house-by-herzog-de-meuron/
https://en.wikiarquitectura.com/building/Rudin-House/